I've been curious about the use of emotive sound responses to trigger a desired vocal anatomical posture. These emotional triggers are collected from several teachers and methods that I'm sure many of us use and have used with success. It is the thought of many instructors that these triggers are used to encourage one or many of these three physical responses:
1.A desired pharyngeal width or laryngeal heighth
2.A desired 'effort' in the level of breath pressure
3.Allowing the vocal folds to stretch
These emotional triggers seem to stimulate success in the singer when thought of during the preperatory inhale or when creating the sound itself.
1.A desired pharyngeal width or laryngeal heighth
2.A desired 'effort' in the level of breath pressure
3.Allowing the vocal folds to stretch
These emotional triggers seem to stimulate success in the singer when thought of during the preperatory inhale or when creating the sound itself.
Continuing the Discussion
Can you think of any others not on this list?
Do you have a favorite? What makes it your favorite?
Do you ever have difficulty creating a bridge from one of these sounds/emotions to actual singing?
What are the advantages/disadvantages to using these emotional triggers to get the pharyngeal posture/breath effort you're looking for rather than talking about it in physical terms?
~Laurel M.
Can you think of any others not on this list?
Do you have a favorite? What makes it your favorite?
Do you ever have difficulty creating a bridge from one of these sounds/emotions to actual singing?
What are the advantages/disadvantages to using these emotional triggers to get the pharyngeal posture/breath effort you're looking for rather than talking about it in physical terms?
~Laurel M.
Whine photo courtesy of Tharakorn at FreeDigitalPhotos.net. Three excited people photo courtesy of David Castillo Dominici at FreeDigitalPhotos.net.
Laughing man photos courtesy of Stuart Miles at FreeDigitalPhotos.net
Laughing man photos courtesy of Stuart Miles at FreeDigitalPhotos.net